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As if the Yordan confusion were not enough, Maddow also divulged, in this second conversation, other grey areas among his credits, including work on early drafts of High Noon (1952) and The Wild One (1954), and one subrosa stint with director Elia Kazan, whose own "friendly" testimony before HUAC remains a touchstone
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https://publishing.cdlib.org/ucpressebooks/view?docId=ft0z09n7m0
an Introduction by Pat McGilligan UNIVERSITY OF CALIFORNIA PRESSBerkeley · Los Angeles · Oxford© 1997 The Regents of the University of California Table of Contents This book, a labor of love for all involved, owes its existence to an