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How Publishing Really Works: Message-Board Plagiarism (Part II)

https://howpublishingreallyworks.blogspot.com/2008/07/message-board-plagiarism-part-ii.html
If the writer retains all other rights to the piece, they are free to sell it elsewhere

How Publishing Really Works: Anti-Plagiarism Day: An Update

https://howpublishingreallyworks.blogspot.com/2009/07/anti-plagiarism-day-update.html?showComment=1248782635450
And this time, the writer who wrote the original piece might well be considering litigation

How Publishing Really Works: What Writers Earn (Part II)

https://howpublishingreallyworks.blogspot.com/2009/01/what-writers-earn-part-ii.html?showComment=1232734920000
Anyone is welcome to contribute a book review; and if there's a publishing issue you'd like to write about here then please let me know (my email address is "HPRW at tesco dot net")

How Publishing Really Works: How Mainstream Publishers Could Make Money

https://howpublishingreallyworks.blogspot.com/2009/02/how-mainstream-publishers-could-make.html
There'd be a conflict of interests if publishers referred the writers it rejected direct to their own POD imprints: but if several publishers set up such imprints they could together fund an umbrella organisation to govern them all (which wouldn’t take much—a carefully-researched website, plenty of information and

How Publishing Really Works: How Readers Drive Publishing

https://howpublishingreallyworks.blogspot.com/2009/06/how-readers-drive-publishing.html?showComment=1244717056179
If publishers won't consider a particular genre, agents won't be able to sell it to them; so agents quickly learn what publishers will and will not consider